Obscure note: like Elvis, Roy Orbison died in the bathroom.
You really should see the performance of "Crying", in Spanish, in David
Lynch's "Mulholland Drive".
The handful of truly great voices in rock'n'roll:
Roy Orbison
Judith Durham (The Seekers)
Jim Morrison (The Doors)
Jennifer Warnes
Aretha Franklin
Janis Joplin
Van Morrison
And a bigger handful of extraordinary voices:
Judy Collins
Elvis Presley
Art Garfunkel
Tom Waits
Susan Jacks
Reverend Al Green
James Brown
Screamin' Jay Hawkins
Over-rated Voices:
Freddie Mercury
Kate Bush
Roger Daltry
Burton Cummings
Linda Ronstadt
K. D. Lang
Why?
A great singer puts his or her voice into the service of the music, not
into the service of the singer's ego, K.D. Lang. Roger Daltry has a
big voice, but he's not really a particularly good singer. Linda
Ronstadt: ditto: she gets louder and softer and louder again. Kate Bush is a diva. Cummings has a great voice
and he can sing, but never covered anything really super interesting.
One imagines that if he did, the limitations would reveal themselves. Freddie Mercury can never be forgiven for "Bohemian Rhapsody".
Don't even get me started:
Whitney Houston
Michael Jackson
Great Songwriters and their voices
Bob Dylan is actually a pretty good vocalist on his earlier albums, up to
"Blood on the Tracks" and "Desire". Around "Saved" his voice went into
the tank and I don't think any one around him every summoned the courage to
tell him the truth.
I more I hear Springsteen the less I think of him as a vocalist.
Now, even when I go back to "Born to Run", I find it harder and harder to
overlook his limitations. His voice is not really much prettier than
Dylan's, but Dylan is far more interesting, in phrasing, intonation;
sometimes a good sneer can come in handy.
Roy Orbison has one of the three or four truly great voices
of rock'n'roll. In 1988, just a year or so before he died of a heart
attack at 52 (December 6, 1988) he recorded a tribute concert to himself called "Black&whitenight".
You may wonder, what on earth do I mean by "to himself". I mean
that the project was financed, managed, and controlled by Orbison's
production company. It was "directed" by Tony Mitchell, a gentleman from my
home town, Kitchener, Ontario. But Orbison had final cut and control
of the film.
This is not the same kind of film as the one we got when Marty Scorcese
directed the greatest rock'n'roll film of all time "The Last Waltz" with The
Band (some would argue "Stop Making Sense" with the Talking Heads).
There is no rational artistic reason why it's in black and
white, and this video is a poster child for why some people believe in the principle of artistic
economy, which is, if you don't have any ideas at all about what you are
doing with the camera (or mic, or paintbrush, or keyboard), replace artistry
with volume or quantity. Go up to 11. Or, In this case, have the
camera swoop back and forth and up and down and left and right and in and
out, for no reason whatsoever other than to make it appear that you are
doing something with the camera to make this production visually
interesting.
There are moments when the musicians appear to be out of sync.
There are even moments where they appear to be hamming it up. Could be
that an editor dumped in a few shots taken out of sequence just for effect.
Or there were dubs.
"Black&WhiteNight" is well recorded. Too well-recorded. I am
convinced it was dubbed, though every effort appears to have been made to
make it appear to be a live recording. You would think that nowadays
it would be easy to find out the truth: it's not. I've been searching
the internet and all I can find it indirect references to it and drippy,
adoring reviews by worshippers of Roy Orbison.
Let's keep that straight: I am an admirer of Orbison but here it is: Orbison is a truly great
but one-dimensional romanticist whose work has limited importance. He was
the master of the paranoid, masochistic, break-up song, in which the pain of
the loss is elevated to a near hysterical embrace of spiritual and emotional suffering.
You might be surprised that this mode can only go so far.
Only the lonely
Know the way I feel tonight
Yes, those opening lines, the black suit, the sunglasses-- truly
magnificent.
But a lot of his early success may well have been due to arranger Fred
Foster at Monument Records (where Orbison recorded from 1959 to 1965).
After he left, he rarely charted, until his return during the nostalgia
craze in the 1980's.
But, like Elvis and Michael Jackson, he was a pop star, and never more
than that, and he doesn't belong in the category of the truly visionary,
brilliant minds that made rock music worth paying attention to, and made it
more relevant and interesting than any other musical style in the past fifty
years.
