Rant of the Week

Von Trotta Diminishes Hannah Arendt: the Banality of Banality

 

Margarethe Von Trotta's "Hannah Arendt" is an odd, diffuse film.  I never quite got what it thought it was bringing us: Hannah Arendt as martyr?  Hannah Arendt as the that beautiful, desirable, intelligent philosopher?  Hannah Arendt the victim?  Hannah Arendt cheered on by her students as she slaps those insolent leftists silly with her ruthless dissection of the morals of the bourgeoisie?

Hannah Arendt travels to Jerusalem on behalf of New Yorker Magazine to cover the trial of Adolf Eichmann.  For the life of me, I don't understand why the movie goes on at length about how much the New Yorker wanted her to finish her articles (and her book), except, perhaps, because someone wanted us to know more about William Shawn and Mary McCarthy. 

There is a practical dimension to Arendt's theory: the evil of the Holocaust derives from a system of colluding parts, of inauthentic people unable to see the world through any perspective but their own, and desiring power and control.  So, to prevent evil in the future, we need to make sure we don't recreate that kind of system.  And, jeez, yeah, it does sound a lot more lame now than it did in the movie.  Because it's hard to apply this kind of analysis to, say, Syria, or the Japanese in Shanghai, or Kosovo, or Srebrenica.  It just seems... lame.

At the same time, she is right.  The solution to suicide bombers is not to find some way to communicate to the potential suicide bomber that what he is thinking of doing is wrong.  The solution is to attack the system that produces young men willing to kill themselves for this cause. 

 

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